Clubbing throughout Stockholm, Robyn became inspired by people-watching at various nightclubs such as Berns. Follow on Twitter for updates I'm so tired of writing over electronic beats and tracks.'" Belgian singer Kato Callebaut performed Robyn's downtempo acoustic version as part of her audition on Idool 2011 then released her studio cover, receiving a gold certification for 10,000+ copies sold. " Luke Lewis of NME referred to the song as "a comet-trail of sadness and exhilaration that's easily the equal of Robyn's breakthrough hit, 'With Every Heartbeat. Writer(s): Patrik Jens Berger, Robin Miriam Carlsson Lyrics powered by Robyn's inspiration for the song came from situations she observed while on her previous tour, clubbing in Stockholm, her favorite "inherently sad gay disco anthems", and her own relationship breakup. That is followed by the use of a "kick drum" on beats "1 and 3" and a "snare" on beats "1 and 4", both of which last through the entire song, accented with "eight repeated, robotic, hihat quavers halfway through, little clave tinkles in the verses and the odd crash cymbal". Calum's version was popular throughout Europe, going viral on streaming services, particularly in the UK. He later released the song as a single via Independent label Instrumental. Scott promoted the track throughout 20 most notably on Late Night with Seth Meyers, Good Morning America, Elvis Duran and the Morning Show, Good Morning Britain, The Ellen DeGeneres Show, and Dancing with the Stars. Because the …, On 17 January 2011, Robyn attended the Grammisgalan to accept the awards for Best Song (for "Dancing on My Own"), Best Album, Best Female Artist and Best Composer. " Pop stars Charli XCX and Zara Larsson acknowledged Robyn's influence, with Charli expressing that "Robyn has definitely been part of paving the way for pop stars who fall a little to the left of the Top 40 norm,” and Zara saying, "She’s what I strive to be in a sense of making my own choices and staying true to myself." " Robyn conceptualized the club as "an important place for our generation-almost like a church or a place where we go to experience something that's bigger than ourselves.
All 13 contributing staff to the cover's review at Stylus' The Singles Jukebox excoriated it, with comparisons made to a "morning TV weather reporter", "subpar John Newman impersonator", "modern day Gary Jules", and "the busker I reported to the police outside my office window last year", giving it a scoring average at 1.38 out of 10, which as of its publishing, placed it at number six of their top ten worst scoring songs ever. Héloïse Letissier of Christine & the Queens, who presented Robyn with the award for Songwriter of the Decade, said that "as a songwriter I can only marvel at a song like 'Dancing On My Own'. "Dancing on My Own" is a song by Swedish singer Robyn, released on 20 April 2010 as the lead single from her fifth studio album, Body Talk Pt. " Soon after completion of the song, Robyn became "conflicted" about having her collaborators and friends hear it.
Print and download Dancing on My Own sheet music by Calum Scott. "I knew I … It’s basically the epitome of what the song is all about: sad disco, flashing lights, and kissing in the dark. 1's iTunes release on 11 June 2010, adding "an extra arpeggiated synth through the intro and the verse". " Different music videos were commissioned and released for Calum's cover as well as the Tiesto remix. The third shows her singing whilst standing still then dancing in a stationary place in front of an empty microphone stand that's centered in a "harshly lit rehearsal" setting with an elaborate stage-like contraption wall of spotlights, sound/lighting equipment, fog machines and mirrors behind her. Drücke die Eingabetaste, um weitere Ergebnisse zu erhalten. Zur deutschen Übersetzung von Dancing on My Own. After "taking a step back from what she'd created", working through "a lot of therapy" where she "worked on and healed" herself, then felt the "song was talking back to her" when "thousands of fans" sang it back to her on her 2019 tour when she "cut the song just before the chorus", she realized the song had "moved on from its beginnings" and was no longer "conflicted" about "playing it live", feeling the song "had moved on from its beginnings and 'became something that took on meaning for a lot of people in different ways'".